{"id":537,"date":"2010-04-18T23:09:25","date_gmt":"2010-04-18T23:09:25","guid":{"rendered":"http:\/\/rockgeekchic.com\/blog\/?p=537"},"modified":"2013-10-22T21:30:42","modified_gmt":"2013-10-22T21:30:42","slug":"fanfare-for-the-speeding-bullet-vocal-music","status":"publish","type":"post","link":"http:\/\/rockgeekchic.com\/blog\/?p=537","title":{"rendered":"Fanfare for the Speeding Bullet: Experimental Vocal Music"},"content":{"rendered":"
\"Mutatis

Mutatis Mutandis by Herbert Brun.<\/p><\/div>\n

As a sub for Fanfare for the Speeding Bullet<\/em>, the avant-garde show, I had it in mind to do an entirely a capella<\/em> show focusing on experimental music for voice. I really wondered what two hours of anticommunicative voices would feel like. People talking to you who did not want anything from you. Halfway through, the usual host, who was supposed to be taking the night off, showed up and hovered nervously. Perhaps to Jason I was playing the wrong avant garde music<\/em>. But isn’t that the point?<\/p>\n

I include the complete playlist below and reconstruct the broadcast as well<\/a>.<\/p>\n

PART ONE<\/p>\n

01 Central Park Transverse Vocal 1\u00a0\u00a0 \u00a00:43\u00a0\u00a0 \u00a0Henry Flynn
\nSlender Fungus\u00a0\u00a0 \u00a03:36\u00a0\u00a0 \u00a0Tones On Tail
\nBreaking Up Immediately Recognizable Units of Significance Is Hard to Do\u00a0\u00a0 \u00a04:27\u00a0\u00a0 \u00a0William DeFotis
\nUniversal Drainage\u00a0\u00a0 \u00a01:24\u00a0\u00a0 \u00a0Phil Minton
\nThat’s Halloween\u00a0\u00a0 \u00a01:47\u00a0\u00a0 \u00a0Duplex Planet
\nZweiter Teil\u00a0\u00a0 \u00a03:13\u00a0\u00a0 \u00a0Kurt Schwitters
\nDritter Teil\u00a0\u00a0 \u00a02:43\u00a0\u00a0 \u00a0Kurt Schwitters
\nFIDDLE\u00a0\u00a0 \u00a00:05
\nMy, I’m Large\u00a0\u00a0 \u00a03:58\u00a0\u00a0 \u00a0The Bobs
\nAnselm_Berrigan\u00a0\u00a0 \u00a05:55\u00a0\u00a0 \u00a0Anselm Berrigan
\nMaledetto\u00a0\u00a0 \u00a014:33\u00a0\u00a0 \u00a0Kenneth Gaburo
\nThe Flow of (u)\u00a0\u00a0 \u00a023:01\u00a0\u00a0 \u00a0Kenneth Gaburo<\/p>\n

PART\u00a0 TWO<\/p>\n

Lifting Leeks\u00a0\u00a0 \u00a02:44\u00a0\u00a0 \u00a0Phil MintonShadowSong (1979)\u00a0\u00a0 \u00a05:10\u00a0\u00a0 \u00a0Joan La Barbara
\nThree Lies\u00a0\u00a0 \u00a03:01\u00a0\u00a0 \u00a0Phil Minton
\nDialogue ”Lonnie Cooks Quail”\u00a0\u00a0 \u00a00:22\u00a0\u00a0 \u00a0Dialogue with Glen Fitzgerald
\nTodor Todorka :trad.Bulgarian\u00a0\u00a0 \u00a03:11\u00a0\u00a0 \u00a0Amasong
\nUnfortunate\u00a0\u00a0 \u00a00:14\u00a0\u00a0 \u00a0Exene Cervenka
\nErin (1980)\u00a0\u00a0 \u00a06:56\u00a0\u00a0 \u00a0Joan La Barbara
\nCirclesong Two\u00a0\u00a0 \u00a04:14\u00a0\u00a0 \u00a0Bobby McFerrin
\nSon Of Byford\u00a0\u00a0 \u00a00:27\u00a0\u00a0 \u00a0Run-D.M.C.
\nJosquin: Petite Camusette\u00a0\u00a0 \u00a01:02\u00a0\u00a0 \u00a0The Hillard Ensemble
\n01 Emergency\u00a0\u00a0 \u00a03:41\u00a0\u00a0 \u00a0Sweet Honey In The Rock
\n02 Our Side Won\u00a0\u00a0 \u00a05:10\u00a0\u00a0 \u00a0Sweet Honey In The Rock
\n03 Ode to the International Debt\u00a0\u00a0 \u00a03:16\u00a0\u00a0 \u00a0Sweet Honey In The Rock
\n04 Are My Hands Clean_\u00a0\u00a0 \u00a02:56\u00a0\u00a0 \u00a0Sweet Honey In The Rock
\nWell\u00a0\u00a0 \u00a02:08\u00a0\u00a0 \u00a0Captain Beefheart & The Magic Band
\nBallad\u00a0\u00a0 \u00a02:15\u00a0\u00a0 \u00a0Phil Minton
\nDough Song 1\u00a0\u00a0 \u00a00:47\u00a0\u00a0 \u00a0Phil Minton
\nDialogue ”Acid Propaganda”\u00a0\u00a0 \u00a00:59\u00a0\u00a0 \u00a0Dialogue with Lily Tomlin, Alan Alda & Ben Stiller
\nGil\u00a0\u00a0 \u00a01:22\u00a0\u00a0 \u00a0Don Van Vliet
\nDough Song 13\u00a0\u00a0 \u00a00:35\u00a0\u00a0 \u00a0Phil Minton
\nENOUGH\u00a0\u00a0 \u00a00:02
\nWafflehead\u00a0\u00a0 \u00a04:04\u00a0\u00a0 \u00a0Robyn Hitchcock & The Egyptians
\nWhole Lotta Love\u00a0\u00a0 \u00a03:26\u00a0\u00a0 \u00a0The Bobs<\/p>\n","protected":false},"excerpt":{"rendered":"

As a sub for Fanfare for the Speeding Bullet, the avant-garde show, I had it in mind to do an entirely a capella show focusing on experimental music for voice. I really wondered what two hours of anticommunicative voices would feel like. People talking to you who did not want anything from you. Halfway through, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[198,354,355,184,182,51,16],"tags":[],"class_list":["post-537","post","type-post","status-publish","format-standard","hentry","category-captain-beefheart","category-experimental-music","category-experimental-radio","category-fanfare-for-the-speeding-bullet","category-jason-finkelman","category-rap","category-robyn-hitchcock"],"_links":{"self":[{"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/537"}],"collection":[{"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=537"}],"version-history":[{"count":5,"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/537\/revisions"}],"predecessor-version":[{"id":616,"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/537\/revisions\/616"}],"wp:attachment":[{"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=537"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/rockgeekchic.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}